All Too Well
RED (2012) | RED (Taylor's Version) [2021]
Background and Composition
«It was a day when I was a broken human, walking into rehearsal, just feeling terrible about what was going on in my personal life. I remember we had just hired David Cook, who is now my band leader. I think it was his first day meeting me and I ended up just playing four chords over and over again. The band started kicking in, like Amos Heller on bass. People just started playing along with me. I think they could tell I was really going through it. And I just started singing, and riffing, and sort of ad-libbing this song that, basically, was ‘All Too Well.’ It started with, ‘I walked through the door with you, the air was cold.’ It literally just was that song, but it had probably seven extra verses. It included the f-word. I remember my sound guy was like, ‘Hey, I burned a CD of that thing that you were doing, in case you want it.’ And I was like, ‘Sure, yeah.’ I ended up taking it home and listening to it. I was like, ‘I actually really like this. But it definitely is like ten minutes long and I need to tear it down.’ So I called Liz Rose, and she came over, and I played it for her. She was like, ‘Whoa, I love this!’ So we kind of edited and teared it down to what it is now. But that was a very serendipitous creation of ten stories.»
«When we did ‘All Too Well,’ I hadn’t heard from her in awhile. She hadn’t really been writing. [...] I was in my driveway and my phone rings, and it’s Taylor saying, ‘Man, I’ve got this thing and I really need you to help me with it. Can you write today? What are you doing today?’ So I gave those guys the keys to my storage place, told them to put all my stuff into storage and drove over to Taylor’s. It was the first song she wrote for that record, I think. She had a story and she wanted to say something specific. She had a lot of information. I just let her go. She already had a melody and she started singing some words, and I started writing things down, saying, ‘Ok, let’s use this, let’s use that.’ She mentioned a plaid shirt, and I wrote that down in a corner, and when we got to the end, I said, ‘Let’s put the plaid shirt in there.’ That turned into one of the best lines. [...] It was the most emotional, in-depth song we’ve ever written.»
Lyrical Theme
Critical Reception
“All Too Well” has received widespread acclaim from critics, who have lauded it as one of Taylor’s best-written songs for its heavily detailed and powerful lyrics. Rob Sheffield of Rolling Stone wrote that Taylor”[spins] a tragic tale of doomed love and scarves and autumn leaves and maple lattes. Writing for Slant Magazine, Jonathan Keefe chose “All Too Well” as “arguably the finest song in Swift’s entire catalogue:” it “crescendos from coffeehouse folk to arena rock […] until she unleashes one of her best-ever lines […] and the song explodes into a full-on bloodletting.” In Sam Lansky’s review of Red published in Idolator, he stated that of all of the songs on Red, “All Too Well” “hits the hardest… reaching an almost hysterical unraveling.” J. English of NPR praised its maturity compared to her earlier work, writing that Taylor “mourns the loss of her innocence” while simultaneously acknowledging her naïveté as she comes of age.
The song consistently ranks at the top of Taylor’s discography. Hannah Mylrea of NME dubbed “All Too Well” Taylor’s magnum opus, with “some of Swift’s best ever couplets” offsetting the “small, painful details” portrayed throughout the song. Critics have ranked “All Too Well” as one of Taylor’s best all-time songs and one of the best songs of the 2010s.
Commercial Performance
Legacy
“All Too Well” is the most critically acclaimed song in Taylor’s catalog, frequently lauded by critics and fans in retrospective reviews. Rob Sheffield of Rolling Stone ranked “All Too Well” as the best song in Taylor’s catalog, writing, “No other song does such a stellar job of showing off her ability to blow up a trivial little detail into a legendary heartache.” Sheffield ranked the song as the best song of the 2010s decade, writing that “Every detail of ‘All Too Well’ is the calculating flourish of a master […] ‘All Too Well’ peaks about six times, then calms… then she rips up her masterpiece and starts the song over.” Uproxx ranked it as the 10th best song of the decade, writing that “Swift manages to be both a character and a visitor in her own memories,” while Stereogum chose it as the 14th best, opining that “Swift’s knack for perfectly pointed observations” make the song a “perfect distillation of love found and lost.” Pitchfork ranked the song as the 57th best song of the 2010s, applauding “her emotional intelligence, her candor, her economy of words, [and] her ability to find beauty in vulnerability.” Rolling Stone placed “All Too Well” at No. 29 of its list of “The 100 Greatest Songs of the Century So Far” (2018) and at No. 5 on its list of “The 100 Best Songs of the 2010s.” It was included in unranked 2010s-decade-end lists by Time and Parade. It also ranked at No. 13 on NPR‘s list of the top 25 songs of the decade, determined by audience polls.
The song has achieved a cult following within Taylor’s fanbase, and despite not being a single, it is one of her most widely recognized songs. Taylor herself remarked this unexpected popularity during her “reputation Stadium Tour” in 2018:
«It's weird because I feel like this song has two lives to it in my brain. In my brain, there's the life of this song, where this song was born out of catharsis, and venting, and trying to get over something, and trying to understand it and process it. And then there's the life where it went out into the world and you turned this song into something completely different for me. You turned this song into a collage of memories of watching you scream the words to this song, or seeing pictures that you post to me of you haven written words to this song in your diary, or you showing me your wrist, and you have a tattoo of the lyrics to this song underneath your skin. And that is how you have changed the song 'All Too Well' for me.»
The Scarf
The Short Film
Lyrics
[Intro]
I walked through the door with you, the air was cold
But something ’bout it felt like home somehow
And I left my scarf there at your sister’s house
And you’ve still got it in your drawer even now
[Verse 1]
Oh, your sweet disposition and my wide-eyed gaze
We’re singing in the car, getting lost Upstate
Autumn leaves falling down like pieces into place
And I can picture it after all these days
[Pre-chorus 1]
And I know it’s long gone
And that magic’s not here no more
And I might be okay
But I’m not fine at all
[Chorus 1]
‘Cause there we are again on that little town street
You almost ran the red ’cause you were looking over at me
Wind in my hair, I was there, I remember it all too well
[Verse 2]
Photo album on the counter, your cheeks were turning red
You used to be a little kid with glasses in a twin sized bed
And your mother’s telling stories about you on the tee-ball team
You taught me ’bout your past, thinking your future was me
[Pre-chorus 2]
And I know it’s long gone
And there was nothing else I could do
And I forget about you long enough
To forget why I needed to
[Chorus 2]
There we are again in the middle of the night
We’re dancing around the kitchen in the refrigerator light
Down the stairs, I was there, I remember it all too well, yeah
[Bridge]
Well, maybe we got lost in translation, maybe I asked for too much
But maybe this thing was a masterpiece ’til you tore it all up
Running scared, I was there, I remember it all too well
Hey, you call me up again just to break me like a promise
So casually cruel in the name of being honest
I’m a crumpled up piece of paper lying here
‘Cause I remember it all, all, all too well
[Verse 3]
Time won’t fly, it’s like I’m paralyzed by it
I’d like to be my old self again, but I’m still trying to find it
After plaid shirt days and nights when you made me your own
Now you mail back my things and I walk home alone
But you keep my old scarf from that very first week
‘Cause it reminds you of innocence and it smells like me
You can’t get rid of it ’cause you remember it all too well, yeah
[Chorus 3]
‘Cause there we are again, when I loved you so
Back before you lost the one real thing you’ve ever known
It was rare, I was there, I remember it all too well
[Outro]
Wind in my hair, you were there, you remember it all
Down the stairs, you were there, you remember it all
It was rare, I was there, I remember it all too well
| Albums | RED RED (Taylor’s Version) | |||
|---|---|---|---|---|
| Released | October 22, 2012 | |||
| Re-Released | November 12, 2021 | |||
| Written | February–March, 2011 | |||
| Studio | Pain in The Art (Nashville) | |||
| Genre | Country Rock Singer-Songwriter | |||
| Length | 5:29 | |||
| Labels | Big Machine Records Republic Records | |||
| Songwriters | Taylor Swift Liz Rose | |||
| Producers | Nathan Chapman (original) Christopher Rowe Taylor Swift | |||
RED CHRONOLOGY | ||||
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![RED (Taylor's Version) [Republic Records, 2021]](https://taylorswiftswitzerland.ch/wp-content/uploads/2021/06/8k-RED-Taylors-Version-scaled.jpg)
