Red
Single | RED (2012) | RED (Taylor's Version) [2021]
Table of Contents
Background and Production
Taylor initially continued working with Chapman in her career base of Nashville, Tennessee, until her creativity “started wandering to all the places [she] could go” while she was writing “Red”, the title track. Scott Borchetta, president of her then-label Big Machine Records, overheard the original production by Chapman and suggested a pop-oriented sound. After several failed attempts at the desired sound, Taylor asked Borchetta to recruit Swedish producer Max Martin, whose chart-topping pop tunes had intrigued her by “how [they] can just land a chorus”. Even though she went to Los Angeles to work with Martin and his frequent collaborator Shellback on three songs on RED, they did not produce the final version of “Red.” It was produced by Taylor, Chapman, and Dann Huff — a Nashville-based country producer. Taylor said:
«I knew I hadn't jumped out of my comfort zone, which at the time was writing alone and working with Nathan. ['Red'] the song was a real turning point for RED, the album. When I wrote that song my mind started wandering to all the places we could go. If I were to think outside the box enough, go in with different people, I could learn from and have what they do rub off on me as well as have what I do rub off on them.»
Taylor Swift
Release
“Red” was Taylor’s final performance at the CMA Awards on November 6, 2013. That night, she received country music’s highest honor, the “Pinnacle Award” and was simultaneously saying goodbye to the genre that made her a star. Her performance featured an acoustic version of “Red” with Alison Krauss on fiddle and Vince Gill on guitar (both on background vocals), Sam Bush on mandolin, Edgar Meyer on acoustic bass, and Eric Darken on percussion. It was released for digital download through the iTunes Store by Big Machine Records the following day.
Lyrical Theme
«I wrote this song about the fact that some things are just hard to forget because the emotions involved with them were so intense and, to me, intense emotion is red.»
Taylor Swift
Music Video
Live Performances
During the September 17, 2015 concert of Taylor’s “The 1989 World Tour” in Columbus, Ohio, she performed a stripped-down version of “Red” on an acoustic guitar. It was also a “surprise song” on the set list of her “reputation Stadium Tour” concert at Pasadena, California, on May 18, 2018, and on “The Eras Tour” in Foxborough on May 21, 2023, and Melbourne on February 16, 2024. On June 15, 2024, she mashed the song up with “The Manuscript” (2024) in Liverpool, on July 14, 2024, with “Mr. Perfectly Fine” (2021) in Milan, and on August 2, 2024, with “Maroon” (2022) in Warsaw.
Taylor also performed “Red” during one-off concerts including a private concert in Paris on January 28, 2013, DirecTV’s Super Saturday Night (part of a series of pre-Super Bowl concerts) in Houston on February 4, 2017, and the City of Lover concert in Paris on September 9, 2019.
Critical Reception
Commercial Performance
Taylor's Version
«The title track on this album is a song that I think really combines what I love of country instrumentation with my love of pop-rock sensibilities. This was one of those songs that was really a hybrid because it could be performed like a pop song, or a rock song, or it could be performed like a bluegrass song. It was one of those songs that made me think, 'Maybe I wanna be expanding what I'm trying to do with my music, sonically.' But lyrically, I loved taking all these metaphors of what it was like loving someone. You know, dirving in your Maserati down a dead end street. As a lyricist, I love to expand upon a metaphor, so that song is basically just a list of metaphors that all make sense about heartbreak. Saying, 'Losing him was blue, missing him was dark gray, but loving him was red.' To me that says everything that I wanted to say on this album, and so it was amazing to get to this with that particular song because it's one that I'm really, really proud of.»
Taylor Swift
Lyrics
[Verse 1]
Loving him is like driving a new Maserati down a dead end street
Faster than the wind, passionate as sin, ending so suddenly
Loving him is like trying to change your mind once you’re already flying through the free fall
Like the colors in autumn so bright just before they lose it all
[Chorus 1]
Losing him was blue, like I’d never known
Missing him was dark gray, all alone
Forgetting him was like trying to know somebody you’ve never met
But loving him was red
[Verse 2]
Touching him was like realizing all you ever wanted was right there in front of you
Memorizing him was as easy as knowing all the words to your old favorite song
Fighting with him was like trying to solve a crossword and realizing there’s no right answer
Regretting him was like wishing you never found out that love could be that strong
[Chorus 2]
Losing him was blue, like I’d never known
Missing him was dark gray, all alone
Forgetting him was like trying to know somebody you’ve never met
But loving him was red, oh red, burning red
[Bridge]
Remembering him comes in flashbacks and echoes
Tell myself, “It’s time now gotta let go”
But moving on from him is impossible when I still see it all in my head…
In burning red
Burning, it was red
[Final Chorus]
Losing him was blue, like I’d never known
Missing him was dark gray, all alone
Forgetting him was like trying to know somebody you’ve never met
‘Cause loving him was red, yeah yeah red, burning red
[Outro]
And that’s why he’s spinning around in my head
Comes back to me in burning red
Loving him is like driving a new Maserati down a dead end street
Artist | Taylor Swift | |||
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Albums | RED RED (Taylor’s Version) | |||
Released | October 2, 2012 | |||
Re-Released | November 12, 2021 | |||
Studios | Blackbird (Nashville) Kitty Committee (Belfast) | |||
Genre | Country Rock | |||
Length | 3:43 | |||
Labels | Big Machine Records Republic Records | |||
Songwriter | Taylor Swift | |||
Producers | Nathan Chapman (original) Dan Huff (original) Christopher Rowe Taylor Swift | |||
RED CHRONOLOGY | ||||
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